Readings:
Psalm
108:1-6
1 Chronicles
16:1-6
Colossians
3:12-17
Luke 18:35-43
Preface of a Saint (3)
[Common of an Arist, Writer, or Composer]
[For Artists and Writers]
PRAYER (traditional language)
God of truth and grace, who didst give Isaac Watts singular gifts to present
thy praise in verse, that he might write psalms, hymns and spiritual songs
for thy Church: Give us grace joyfully to sing thy praises now and in
the life to come; through Jesus Christ our Savior, who livest and reignest
with thee and the Holy Spirit, one God, for ever and ever. Amen.
PRAYER (contemporary language)
God of truth and grace, you gave Isaac Watts singular gifts to present
your praise in verse, that he might write psalms, hymns and spiritual
songs for your Church: Give us grace joyfully to sing your praises now
and in the life to come; through Jesus Christ our Savior, who lives and
reigns with you and the Holy Spirit, one God, for ever and ever. Amen.
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This commemoration appears in A Great Cloud of Witnesses
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ISAAC WATTS
HYMNWRITER, 1748
Isaac
Watts (17 July 1674 – 25 November 1748) is recognised as the "Father
of English Hymnody", as he was the first prolific and popular English
hymnwriter, credited with some 750 hymns. Many of his hymns remain in
active use today and have been translated into many languages.
Watts, unable to go to either Oxford or Cambridge due to his Non-conformity,
went to the Dissenting Academy at Stoke Newington in 1690, and much of
his life centred around that village, then a rural idyll but now part
of Inner London. He held religious opinions that were more non-denominational
or ecumenical than was at that time common for a non-conformist, having
a greater interest in promoting education and scholarship, than preaching
for any particular ministry.
Sacred music scholar Stephen Marini describes the ways in which Watts
contributed to English hymnody. Notably, Watts led the way in the inclusion
in worship of "original songs of Christian experience"; that
is, new poetry. The older tradition limited itself to the poetry of the
Bible, notably the Psalms. This stemmed from the teachings of the 16th
century Reformation leader John Calvin, who initiated the practice of
creating verse translations of the Psalms in the vernacular for congregational
singing. Watts' introduction of extra-Biblical poetry opened up a new
era of Protestant hymnody as other poets followed in his path.
Watts also introduced a new way of rendering the Psalms in verse for
church services. Watts proposed that the metrical translations of the
Psalms as sung by Protestant Christians should give them a specifically
Christian perspective.
Besides being a famous hymn-writer, Isaac Watts was also a renowned theologian
and logician, writing many books and essays on these subjects. Watts was
the author of a text book on logic which was particularly popular; its
full title was, Logic, or The Right Use of Reason in the Enquiry After
Truth With a Variety of Rules to Guard Against Error in the Affairs of
Religion and Human Life, as well as in the Sciences. This was first
published in 1724, and its popularity ensured that it went through twenty
editions.
Some of Watts' more well-known hymns are:
- Joy
to the world! (arranged by Lowell Mason to an older melody originating
from Handel)
- Come ye that love the Lord (often sung with the chorus [and titled]
"We’re marching to Zion")
- Come
Holy Spirit, heavenly Dove
- Jesus
shall reign where’er the sun
- O
God, Our Help in Ages Past
- When
I survey the wondrous cross
- Alas!
and did my Saviour bleed
- This
is the day the Lord has made
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